Submit a 1000 words paper on the topic Post War Australian Art. Imants&nbsp.Tillers’ greatest motivation is the production of pieces of artwork that show concerns regarding locality and place while also making evocations of the Australian landscape. Between 1974 and 1975, Imants produced Conversations with the bride. The piece of art typifies the installation media category. The installation provides a notable dialogue between Imants’ painting and Marcel Duchamp’s well-known painting entitled The bride stripped bare by her bachelors, even. Duchamp’s painting is also referred to as The large glass. Imants’ Conversations with the bride is a compilation of at least 112 miniature photographs and paintings (Hart & Tillers 2006, p. 9). These photos and paintings are set on multiple aluminum tripods with every image in the compilation being appropriated from The large glass by Duchamp. In addition, Conversations with the bride also appropriates images of Hans Heysen’s watercolor Summer of 1909, which had a characteristic Australian landscape, consisting particularly of gum and eucalyptus trees. This calls to mind the magnificent forces of nature that is similar to the 19th century Romantic landscapes. The large glass and Summer were painted approximately the same time, and as a consequence, Imants perceives them as equally representative of Australian cultural values (Stephen 2003, p. 16). These art pieces were sympathetic to Imants’ views at the time, especially with regard to Imants’ feelings regarding the element of the fourth dimension, which is also evident in Duchamp’s artwork. Imants researches a lot of sources, collecting necessary documentation vital for the compilation of the images inherent in the Conversations with the bride compilation. Conversations with the bride represent the painter’s post-modern strategy, which encompasses approaches such as intertextuality. Here, Imants’ artistic work elucidates the link between the artwork, the viewer and the artist. This relationship is exemplified through the use of layering whereby contemporary and historical references from both literature and art are comingled.&nbsp.